John Berger and Robert Kramer. An affinity between the critic and the filmmaker developed around the question of resistance.

Toggle the menu Feature The Chorus in Our Heads, or Pier Paolo Pasolini. The critic offers a powerful meditation on ...

In addition to premieres in the main Crystal Globe competition and the more experimental Proxima section (about which, more ...

It’s all over. Well, not quite, but the 2010s did come to an end on a note of pessimism about the world, and one of resignation about the film industry’s consolidation and glut of choice. At the same ...

Read this story as part of the archived issue. The films you’ve made since beginning Histoire(s) du cinéma are more emotional than anything you’ve done before. Each feels like an attempt at ...

Read this story as part of the archived issue. Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the ...

I understand that a lot of the work you’ll be showing at Anthology hasn’t yet been seen and that there’s quite a lot of it. What is the organizing logic of the “New, but Old” program, which will ...

Home truth: the director of Mountains May Depart explains why it's his most personal film yet (and analyzes its Pet Shop Boys anthem) With Mountains May Depart, Jia Zhang-ke turns his powers of social ...

To celebrate the upcoming 50th Anniversary of the Film Society of Lincoln Center, Film Comment will be making some classic pieces from our archive available online. This week, read Molly Haskell’s ...

Read this story as part of the archived issue. Editorial use only. No book cover usage. Mandatory Credit: Photo by Mars/Marianne/Maran/Kobal/Shutterstock (5883364h ...

1. Eighties New Wave: the late Seventies and early Eighties saw a huge influx of talent into Hong Kong from filmmakers who, for the most part, had studied overseas, and then returned to Hong Kong ...