“It’s so funny to me that Andy Milligan has become this great cult figure,” Laura Shaine Cunningham told IndieWire. To Cunningham — an author and playwright who describes her stint in Z-grade movies ...
When Kathryn Bigelow’s nuclear countdown thriller “A House of Dynamite” premiered at the Venice Film Festival in early September, it was greeted with a chorus of praise. Just about every critic there ...
Lis Rhodes, Journal of Disbelief (2016) (Still) (all images courtesy of Nottingham Contemporary) The British experimental feminist filmmaker Lis Rhodes is being recognized in England, at Nottingham ...
The cineastes at Film Forum are doing a hard sell for Joseph Cates’s “Who Killed Teddy Bear” (1965). Cates’s picture, we are told, is “the apex of lurid ’60s exploitation movies” and “seething with a ...
The cracked auteurism and callous commercialism of the '60s cult figure live again at New York's Tribeca Festival. IndieWire hears from the people who lived and helped revive them. “It’s so funny to ...